Author Archives: mcacwc1

Roberta Stephen 2021 Award Application

Roberta Stephen

Instructions below:

The Roberta Stephen Award, worth $500, offers support to a Canadian woman composer
aged 36 or older for professional development such as further studies, conferences, or
workshops, or composers’ festivals.

The Deadline is: May 31, 2021 

Eligibility:

Candidates must have a history of public presentation of their work, and must be:

  • Canadian citizens or permanent residents of Canada
  • 36 years of age or older
  • finished their basic training in music (university graduation or equivalent in specialized training) and either be ready to undertake a professional career, or, having already attained a professional level, be undertaking advanced studies
  • winners of the Roberta Stephen award are strongly encouraged to become members of ACWC/AFCC if they haven’t already done so.  Go here for membership

Please see the PDF forms, below, for Instructions and Application Procedure.

Roberta Stephen Award_Instructions 2021

Roberta Stephen Application 2021

ACWC Initiatives Fund 2021

ACWC Initiatives Fund, Deadline – March 15, 2021, available to all ACWC members, for:

  • creating new compositions
  • creative compositional networking
  • creating a CD and/or online recording project
  • creating workshops, conferences, or venues where new compositions are encouraged, taught, created, workshopped, and more

To apply, download this form: ACWC Initiatives Fund 2021 Application and after completing it, email to: caweaver@uwaterloo.ca

Call for Scores

SHHH!!  Ensemble (piano and percussion), in partnership with the CMC, are presenting a series of late-night world premieres and conversations with Canadian composers called NightCAPS w/ SHHH!! Ensemble. They will be doing an episode featuring works by ACWC/AFCC members in celebration of the 40th anniversary and are looking for unperformed works.  For more information on SHHH!! Ensemble, visit their website at  https://shhhensemble.com

Submitted works should:

  • Not have been performed before.
  • Under 10 minutes in length.
  • For both piano and marimba (range available A2-C7)
  • Scores should be anonymous and in pdf form
  • Deadline is January 2, 2021

To submit please email scores to reddoorstudio2@gmail.com. Please included your name, contact email address, and the name of your piece.

This call is open to all ACWC/ACFF members.

 

CALL FOR SUBMISSIONS: ACWC 40th Anniversary Playlists

CALL FOR SUBMISSIONS: ACWC 40th Anniversary Playlists

Deadline: November 15th, 2020

Submission link:  https://forms.gle/rD7U1F74JA6ksVwWA

As part of the ACWC’s 40th anniversary celebrations, we will be releasing monthly playlists of music by Canadian women. The playlists will each be one to two hours long. They will be released January through December, 2021, hosted on Soundcloud, and embedded on the front page of the ACWC’s website. We are hoping to include at least one work by every current ACWC member, and if there is room for more, we will also include music by earlier Canadian women composers.

Please submit at least one work using the attached google form. There are twelve categories which are meant to be open-ended; select the one that is most applicable. If your submission does not fit any of the twelve categories, select “other”. You may submit up to two additional works; these will be included if space is available. They will be more likely to be included if you submit works in separate categories. The twelve submission categories may not reflect the themes of the twelve playlists; these will be reworked based on the submissions that are received.

There is no maximum length for recordings; however, works longer than 10 minutes may be excerpted. You may include preferences for how the piece should be excerpted in the “work details” section.

If you have any questions or concerns, please contact Amanda at amanda.lowry@gmail.com.

ACWC 40th Anniversary

Happy 40th Anniversary, ACWC!

In 2021, the ACWC/AFCC will celebrating 40 years since its inception in 1981. This is a time to look back to the past as well as look to the future of the organization and of the music of Canadian women.

We find ourselves in a difficult and unique time to be planning such a celebration. Whole seasons of concerts and events have been cancelled with no clear idea as to when they will return. But this organization is full of creative, energetic people so there will be no shortage of ways to celebrate.  Regional concerts are being planned, for when they can occur, due to COVID-19.  Online forums and events will also be featured, as well as playlists of members’ music.

We will also recognize the Canadian women who were writing music, teaching future composers, and promoting the works of Canadian women even before the founding of the ACWC. Those composers and the women whose energy and dedication formed the organization will be honoured with the inclusion of their music in the playlists and concerts.

Call for Scores

SHHH!!  Ensemble (piano and percussion), in partnership with the CMC, are presenting a series of late-night world premieres and conversations with Canadian composers called NightCAPS w/ SHHH!! Ensemble. They will be doing an episode featuring works by ACWC/AFCC members in celebration of the 40th anniversary and are looking for unperformed works.  For more information on SHHH!! Ensemble, visit their website at  https://shhhensemble.com

Submitted works should:

  • Not have been performed before.
  • Under 10 minutes in length.
  • For both piano and marimba (range available A2-C7)
  • Scores should be anonymous and in pdf form
  • Deadline is January 2, 2021

To submit please email scores to reddoorstudio2@gmail.com. Please included your name, contact email address, and the name of your piece.

This call is open to all ACWC/ACFF members.

ACWC Playlist

Deadline: November 15th, 2020

Submission link:  https://forms.gle/rD7U1F74JA6ksVwWA

As part of the ACWC’s 40th anniversary celebrations, we will be releasing monthly playlists of music by Canadian women. The playlists will each be one to two hours long. They will be released January through December, 2021, hosted on Soundcloud, and embedded on the front page of the ACWC’s website. We are hoping to include at least one work by every current ACWC member, and if there is room for more, we will also include music by earlier Canadian women composers.

Please submit at least one work using the attached google form. There are twelve categories which are meant to be open-ended; select the one that is most applicable. If your submission does not fit any of the twelve categories, select “other”. You may submit up to two additional works; these will be included if space is available. They will be more likely to be included if you submit works in separate categories. The twelve submission categories may not reflect the themes of the twelve playlists; these will be reworked based on the submissions that are received.

There is no maximum length for recordings; however, works longer than 10 minutes may be excerpted. You may include preferences for how the piece should be excerpted in the “work details” section.

If you have any questions or concerns, please contact Amanda at amanda.lowry@gmail.com.

ACWC History

Watch this space for stories and information about the ACWC/AFCC’s history and/or that of Canadian women composers.

Upcoming Online Events

Plans are in the works for an online panel about the beginnings of the ACWC/AFCC, and the challenges faced by Canadian women composers in the 20th and 21st century.

Upcoming Concerts

Watch for information about any and all upcoming performance events!

Please Donate

If you would like to help support celebrations for the ACWC/AFCC 40th Anniversary, including special concerts, workshops, projects, publicity and online initiatives, please donate by clicking on the Donation button below. Your support would be very helpful! Any donation of $25 or more will receive a tax receipt. Thank you!



Stay Tuned!

Stay tuned here to see ideas about the 40th anniversary as they develop!  Send any/all ideas to the ACWC 40th Anniversary Chair Diane Berry, who is also ACWC Secretary.

Brenda Margaret Muller, Winner of 2020 ACWC Initiatives Fund

Brenda Muller

Brenda Margaret Muller has been chosen as the winner of the 2020 ACWC Initiatives Fund for new creative work projects or compositions. Muller’s project relates to her Riversongs Festival of community-based music, through which she will, in turn, sponsor an award to an ACWC member for a new composition for the Riversongs Festival. The new work will be scored for community orchestra and/or community orchestra and choir. Muller is founder and Artistic Director of the Riversongs Festival, which occurs in Parry Sound, Ontario. The festival, involving Whispering River Orchestra and Community Choir, is tentatively scheduled for August/September, 2020, but will be further rescheduled if required, due to coronavirus.

Muller’s project relates to her Riversongs Festival of community-based music, through which she will, in turn, sponsor an award (named ACWC COMPOSITION AWARD) to an ACWC member for a new composition for the Riversongs Festival. The new work will be scored for community orchestra and/or community orchestra and choir. 

Muller is founder and Artistic Director of The Riversongs Festival which occurs in Parry Sound, Ontario. The festival, involving Whispering River Orchestra and Community Choir, is tentatively scheduled for August/September, 2020, with full regard to the coronavirus situation at that time. If need be, it will be rescheduled accordingly. This annual event celebrates authentic Canadian and Parry Sound creative community through music, poetry and art. The small string orchestra
produces five to six concerts annually, typically with two in June that bookend this unique week of workshops in composition, string playing, art, poetry, speaking
Anishinabek, musical yoga coffee houses, banner painting and a
musical Canoe and Sail Regatta. The music from the ACWC will be used to
sponsor one of four Riversongs awards for compositions for community
orchestra and/or community orchestra and choir. However, ACWC is only sponsoring Riversong’s ACWC-focused award, which will be granted to another ACWC member.

Although the event is traditionally held during Summer Solstice, the upcoming festival is tentatively rescheduled for late August into September, around the fall equinox, dependent on the coronavirus situation at that time.

About Brenda Margaret Muller:

From her roots as a classically trained cellist, Brenda Margaret Muller has
gone on to create conceptual events that weave together poetry, music and
song. Working as a Musician, Poet, and Song-writer, as well as Artistic
Director for the past 32 years, Muller has created inter-arts events across
the province, founded and directed the Ardeleana Chamber Music Society, and released 6 recordings with her trio, Ardeleana, including a
CD of original cabaret songs, Wolf At My Door, and the first CD to feature
only music by Canadian women – Spinners of Starlight (1997). She is the creator of two story operas – Melissa’s Song and Jonathon’s Storm, both of which have
toured across the province to the critical acclaim of enthusiastic young
people. Muller has commissioned and premiered over 150 works of music by
Canadian composers. She holds an Honours degree in Music Performance from
the University of Western Ontario, a Mus. Ed and Honours Specialist in Music
from O.I.S.E. University of Toronto. She is currently the founder and
director of the Whispering River Orchestra, and Riversongs Festival, a 10
day Community Celebration of Music, Poetry and Art in Parry Sound, Ontario.

Information on previous 2019 Initiatives Fund winner, Stephanie Orlando here.

Gayle Young becomes ACWC/AFCC Honorary Member

Gayle Young has been awarded an ACWC/AFCC Honorary Membership in November, 2019 for her exceptional accomplishments as an innovative composer, instrument creator/inventor, writer, feminist and administrator. She has been an ACWC member since the very beginning, serving on the ACWC Board for many years. For decades she has edited Musicworks (Canada’s leading publication on new and unusual music). As well she has written extensively on tunings, wrote the definitive biography on Hugh LeCaine (Canada’s principal inventor of electronic instruments), written for our ACWC Journal, and was recently featured in a CMC Presents Concert, along with jaw-harp virtuoso Chik White on November 21, 2019 at Canadian Music Centre, Toronto. Young’s compositions, many of them electroacoustical and/or soundscape oriented, rank among the most highly esteemed Canadian works today. CMC suggests her tonal soundscapes “link natural sound with the musical worlds of tuning and harmony.” (CMC post). A 2018 recipient of the ACWC Roberta Stephen Award, she was able to present her compositions with her new 9-stringed instrument, the Allium, at Visiones Sonores, an annual festival of electroacoustic music held in Morelia, Mexico. (ACWC Journal Spring/Summer 2019, 38-40). All along Gayle Young has championed women’s music as part of her ongoing life work.

Roberta Stephen Honoured

Roberta Stephen ACWC award-cropped

Roberta Stephen,Janet Danielson

ACWC composer, music publisher, and benefactor Roberta Stephen was honoured with a reception at The GRAND in Calgary on June 2 following a performance of Ghost Opera by Association of Canadian Women Composers member and 2017 Roberta Stephen Award winner Veronika Krausas. Stephen received both an ACWC Honorary Life Membership, presented by ACWC Treasurer Janet Danielson, and a Violet Archer Lifetime Achievement Award, presented by John Reid, the Prairie Regional Director of the Canadian Music Centre. The reception was attended by a number of Roberta’s colleagues and supporters including ACWC member Hope Lee an her husband David Eagle. Roberta explained how her own experience as a composer led to her idea for the the scholarship: when she finished her training as a composer in her late thirties, she said, there was “nothing for her.” She was, however, able to establish her career through great perseverence, entrepreneurship, and organizational skill. In addition to the tributes to Roberta Stephen, the reception included the official announcement of the 2019 award winners, Laura Hawley and Maren Lisac; and Laura thanked Roberta personally via FaceTime from Edmonton during the reception tributes. The ACWC gratefully acknowledges the gracious contribution of Roberta’s four children in assisting with the reception plans and helping with transportation.

Laura Hawley & Maren Lisac, recipients of 2019 Roberta Stephen Composition Award

Laura Hawleymarens-headshot-17.jpg

Canadian composers Laura Hawley (left) from Edmonton and Maren Lisac (right) from Montreal are recipients of the 2019 Roberta Stephen Composition award.

Laura Hawley is a composer, choral conductor and pianist. She holds an M. A. in music theory from the University of Ottawa, and has also studied composition at the Banff Centre. Hawley was the founding artistic director of the Hypatia’s Voice Women’s Choir, and winner of the National Council of Canadian Muslims Community Builder award for her work, “Live, Love, Share.” She is regularly commissioned by some of Canada’s most distinguished choirs, including the Elektra Women’s Choir, the Canadian Chamber Choir, and the Avanti Chamber Singers. Now residing in Edmonton, Hawley will use her award to further her development as a composer through private studies with Dr. Allan Bell, focusing on instrumentation. She hopes to explore innovative ways of combining instrumental and choral ensembles, and to write chamber and orchestral works.

Maren Lisac is a composer who lives in Montreal. A graduate of Simon Fraser University’s School for the Contemporary Arts, her works have been performed by the Dissonant Disco Collective and the Saxophilia Quartet. She plans to use the award for Bad Mirrors, a collaborative work for JUNO Award-winning guitarist Gordon Grdina and live electronics which will be premièred at the 21st-Century Guitar Conference in Ottawa this August. Bad Mirrors will feature the guitar tuned in an approximation of the Indonesian pelog scale, a scale related to the order of the universe, with distorted reflections of the guitar sounds manipulated by Lisac in real time through playback software. The work will thus be a sonic commentary on how distorted views of reality give rise to extreme ideologies.

The Roberta Stephen Award offers support to a Canadian woman composer aged 36 or older for professional development such as further studies, conferences, or workshops, or composers’ festivals. Established by Calgary composer and publisher Roberta Stephen, the award is administered by the Association of Canadian Women Composers.