The Association of Canadian Women Composers/Association des femmes compositeurs canadiennes is seeking submissions from composers who identify as women and gender minorities to be featured in a concert taking place in Toronto in partnership with the Canadian Music Centre.
Inspired by the theme of “Building Up”, the concert and rehearsal process is entirely organized, performed, and produced by women identifying composers, organizers, technicians, and performers. It celebrates how we as composers and creators support other women in our work. The concert will be held on July 17, 2020 at the Canadian Music Centre (Toronto).
Submitted pieces may have been previously performed
Existing and proposed pieces should be written for the following ensemble, or a subset of the following instruments: flute, bass clarinet doubling alto saxophone, piano, and percussion
Pieces can include electronics and/or improvisation
There is no restriction on duration
For existing works, please submit a score and recording (if applicable)
For proposals of new works, please include a short description (approx. 100 words) outlining what you would like to do as well as an existing sample of your work
This call is open to Canadian citizens and permanent residents of Canada.
Membership with the ACWC/AFCC is required, but composers may join upon their work being selected for performance.
While the concert will take place in Toronto, composers from across the country are encouraged to submit works and proposals. Although we cannot offer financial support for travel and accommodation, we can provide a letter of support to assist in applying for travel funding.
The Roberta Stephen Award, worth $500, offers support to a Canadian woman composer aged 36 or older for professional development such as further studies, conferences, or workshops, or composers’ festivals.
The Deadline is: April 15, 2020
Candidates must have a history of public presentation of their work, and must be:
Canadian citizens or permanent residents of Canada
36 years of age or older
finished their basic training in music (university graduation or equivalent in specialized training) and either be ready to undertake a professional career, or, having already attained a professional level, be undertaking advanced studies
winners of the Roberta Stephen award are strongly encouraged to become members of ACWC/AFCC if they haven’t already done so. Go here for membership
Please see the PDF forms, below, for Instructions and Application Procedure.
Gayle Young has been awarded an ACWC/AFCC Honorary Membership in November, 2019 for her exceptional accomplishments as an innovative composer, instrument creator/inventor, writer, feminist and administrator. She has been an ACWC member since the very beginning, serving on the ACWC Board for many years. For decades she has edited Musicworks (Canada’s leading publication on new and unusual music). As well she has written extensively on tunings, wrote the definitive biography on Hugh LeCaine (Canada’s principal inventor of electronic instruments), written for our ACWC Journal, and was recently featured in a CMC Presents Concert, along with jaw-harp virtuoso Chik White on November 21, 2019 at Canadian Music Centre, Toronto. Young’s compositions, many of them electroacoustical and/or soundscape oriented, rank among the most highly esteemed Canadian works today. CMC suggests her tonal soundscapes “link natural sound with the musical worlds of tuning and harmony.” (CMC post). A 2018 recipient of the ACWC Roberta Stephen Award, she was able to present her compositions with her new 9-stringed instrument, the Allium, at Visiones Sonores, an annual festival of electroacoustic music held in Morelia, Mexico. (ACWC Journal Spring/Summer 2019, 38-40). All along Gayle Young has championed women’s music as part of her ongoing life work.
ACWC composer, music publisher, and benefactor Roberta Stephen was honoured with a reception at The GRAND in Calgary on June 2 following a performance of Ghost Opera by Association of Canadian Women Composers member and 2017 Roberta Stephen Award winner Veronika Krausas. Stephen received both an ACWC Honorary Life Membership, presented by ACWC Treasurer Janet Danielson, and a Violet Archer Lifetime Achievement Award, presented by John Reid, the Prairie Regional Director of the Canadian Music Centre. The reception was attended by a number of Roberta’s colleagues and supporters including ACWC member Hope Lee an her husband David Eagle. Roberta explained how her own experience as a composer led to her idea for the the scholarship: when she finished her training as a composer in her late thirties, she said, there was “nothing for her.” She was, however, able to establish her career through great perseverence, entrepreneurship, and organizational skill. In addition to the tributes to Roberta Stephen, the reception included the official announcement of the 2019 award winners, Laura Hawley and Maren Lisac; and Laura thanked Roberta personally via FaceTime from Edmonton during the reception tributes. The ACWC gratefully acknowledges the gracious contribution of Roberta’s four children in assisting with the reception plans and helping with transportation.
Canadian composers Laura Hawley (left) from Edmonton and Maren Lisac (right) from Montreal are recipients of the 2019 Roberta Stephen Composition award.
Laura Hawley is a composer, choral conductor and pianist. She holds an M. A. in music theory from the University of Ottawa, and has also studied composition at the Banff Centre. Hawley was the founding artistic director of the Hypatia’s Voice Women’s Choir, and winner of the National Council of Canadian Muslims Community Builder award for her work, “Live, Love, Share.” She is regularly commissioned by some of Canada’s most distinguished choirs, including the Elektra Women’s Choir, the Canadian Chamber Choir, and the Avanti Chamber Singers. Now residing in Edmonton, Hawley will use her award to further her development as a composer through private studies with Dr. Allan Bell, focusing on instrumentation. She hopes to explore innovative ways of combining instrumental and choral ensembles, and to write chamber and orchestral works.
Maren Lisac is a composer who lives in Montreal. A graduate of Simon Fraser University’s School for the Contemporary Arts, her works have been performed by the Dissonant Disco Collective and the Saxophilia Quartet. She plans to use the award for Bad Mirrors, a collaborative work for JUNO Award-winning guitarist Gordon Grdina and live electronics which will be premièred at the 21st-Century Guitar Conference in Ottawa this August. Bad Mirrors will feature the guitar tuned in an approximation of the Indonesian pelog scale, a scale related to the order of the universe, with distorted reflections of the guitar sounds manipulated by Lisac in real time through playback software. The work will thus be a sonic commentary on how distorted views of reality give rise to extreme ideologies.
The Roberta Stephen Award offers support to a Canadian woman composer aged 36 or older for professional development such as further studies, conferences, or workshops, or composers’ festivals. Established by Calgary composer and publisher Roberta Stephen, the award is administered by the Association of Canadian Women Composers.